35th
BCS
1. Who wrote the
following lines: “all at once I saw a crowd, a host of golden daffodils?”
A.
Wordsworth
|
|
||
C.
Shelley
|
D.
Keats
|
e¨vL¨v:
(a) W. Wordsworth
(1770-1850) — ‡ivgvw›UK hy‡Mi
Ab¨Zg Kwe I cÖvewÜK| The Solitary Reaper Zuvi GKwU Abe`¨ KweZv| (i)
The child is father of
the man. (ii) Poetry is the
spontaneous overflow of powerful feelings. (iii) Nature never did betray
the heart that loved her.
- Zuvi D‡jøL‡hvM¨ Dw³|
|
(b) Robert Herrick
(1591-1674) — mcÍ`k kZ‡Ki
MxwZKwe| Hesperides - bvgK KweZv
msKj‡bi Rb¨ mycwiwPZ| Delight
in Disorder, Upon Julia’s Clothes
Zuvi Abe`¨ KweZv|
|
(c) Shelley — Bs‡iwR mvwn‡Z¨i Ab¨Zg MxwZ Kwe (Lyric
poet) wn‡m‡e mycwiwPZ P.
B. Shelley †ivgvw›UK mvwnZ¨avivi †kl
w`‡Ki Kwe| Zuv‡K wecøex Kwe (Revolutionary poet) wn‡m‡e AvL¨vwqZ Kiv nq| wZwb e¨w³MZ Rxe‡b bvw¯ÍK wQ‡jb|
Zuv‡K Oxford
University †_‡K ewn®‹vi Kiv n‡qwQj|
wZwb ZiæY eq‡m (30 eQi eq‡m) mvM‡i Wz‡e (drowned in the sea) gviv hvb| (i) O, wind, if winter comes, can
spring be far behind? (ii) Our
sweetest songs are those that tell of saddest thought. (iii) Poets are the
unacknowledged legislators of the world. — Zuvi D‡jøL‡hvM¨ Dw³|
|
(d) Keats — †ivgvw›UK avivi Ab¨Zg Kwe John Keats| wZwb †mŠ›`‡h©i Kwe ev Poet of beauty
Ges Bw›`ªqm¤ú„³Zvi Kwe ev Poet
of sensuousness bv‡g cwiwPZ|
wZwb †ckvq GKRb Wv³vi wQ‡jb (Man of medicine)| wZwb gvÎ 26 eQi eq‡m h²v (tuberculosis) †iv‡M AvµvšÍ n‡q
BZvwji †iv‡g gviv hvb| Zuvi weL¨vZ `ywU jvBb nj: (i) A thing of beauty is a joy forever.
(ii) Beauty is truth, truth beauty.
|
2.
Who among the following writers is not a Nobel Laureate?
A.
T. S. Eliot
|
|
||
C.
Grahame Greene
|
D.
William Faulkner
|
e¨vL¨v:
(a)
T. S. Eliot —
received Nobel Prize in Literature in 1948.
|
(b)
Toni Morrison
— won Nobel Prize in Literature in 1993.
|
(c)
Grahame Greene — did
not receive.
|
(d)
William Faulkner
— got Nobel Prize in Literature in 1949.
|
3.
The play ‘Arms and the Man’ is by ---
A.
James Joyce
|
|
||
C.
Arthur Miller
|
D.
George Bernard Shaw
|
e¨vL¨v:
(a) James Joyce
(1882-1941) — Avqvij¨v‡Ûi
cÖL¨vZ Kwe I Jcb¨vwmK| Zuv‡K wesk kZvãxi avant-garde avivi Ab¨Zg cÖfvekvjx ‡jLK wn‡m‡e we‡ePbv Kiv nq| wZwb
Zuvi Dcb¨v‡m Stream
of Consciousness[1]
ev
ˆPZb¨cÖevn ixwZ e¨env‡ii Rb¨
cÖwm×|
· A Portrait of the Artist as a Young Man***
· Ulysses***
· Finnegans Wake
· Dubliners Zuvi weL¨vZ
Dcb¨vm|
|
(b) Samuel Beckett
(1906-1989) — cÖL¨vZ AvBwik avant-garde avivi Jcb¨vwmK,
bvU¨Kvi, bvU¨cwiPvjK, Kwe I Awf‡bZv| wZwb †kl eq‡m c¨vwi‡m emevm K‡i‡Qb| wZwb
Waiting for Godot bvgK Absurd bvU‡Ki Rb¨ 1969 mv‡j mvwn‡Z¨ †bv‡ej cyi¯‹vi jvf K‡ib|
GQvov The
End Game Zuvi Av‡iKwU Abe`¨
bvUK|
|
(c) Arthur Miller
(1915-2005) — cÖL¨vZ gvwK©b
bvU¨Kvi I cÖvewÜK| All My
Sons I Death of a Salesman
Zuvi Abe`¨ bvUK|
|
(d) George
Bernard Shaw — AvaywbK Bs‡iwR mvwn‡Z¨i RbK e‡j
L¨vZ|
· Man and Superman (comedy)*** (38th
BCS)
· Arms and the Man ***
· Caesar and Cleopatra ***
· You Never Can Tell
· Candida Zuvi D‡jøL‡hvM¨
bvUK|
|
4.
The ‘climax’ of a plot is what happens
---
A.
in the beginning
|
|
||
C.
at the height
|
D.
in the confrontation
|
e¨vL¨v:
Climax — the high point in the action of a story.
Climax
Rising action Falling action
Crisis Resolution
|
|
5. ‘Othello’ is a Shakespeare’s play about –
A.
A Jew
|
|
||
C.
A Turk
|
D.
A Moor
|
e¨vL¨v:
(a) A Jew — ‡lvok kZ‡K BZvwji †fwb‡m emevmKvix A¨v‡›UvwbI bv‡gi GK
e¨emvqx kvBjK bv‡gi GK Bû`x (Jew) gnvR‡bi wbKU ‡_‡K UvKv avi K‡i Zv mgqgZ cwi‡kva Ki‡Z e¨_©
nq| GRb¨ kvBjK Pzw³ Abyhvqx A¨v‡›UvwbIi kixi †_‡K GK cvDÛ gvsk `vwe K‡i|
cyiæl AvBbRxexi iƒc avibKvix ‡cvwk©qv kvBjK‡K Zvi g‡°‡ji kixi †_‡K GK cvDÛ
gvsk †K‡U wb‡Z e‡j wKš‘ †Kvb i³cvZ NUv‡bv hv‡e bv e‡j ûwkqvix D”PviY K‡i
†h‡nZz Zv Pzw³c‡Î D‡jøL wQj bv|
|
(b) — Julius Caesar,
Antony and Cleopatra I Coriolanus
bvUK wZbwU †ivgvb BwZnvm‡K †K›`ª K‡i
iwPZ|
Ugvm b_© (Thomas
North) KZ©„K Bs‡iwR‡Z Ab~w`Z cøyUv‡K©i (Plutarch) †ivgvb BwZnvm †_‡K Dcv`vb wb‡q †k·wcqvi Gme bvUK iPbv
K‡ib|
|
(d) A Moor — I‡_‡jv bvgK GK gyi (Moor) ‡fwb‡mi wm‡b‡Ui eªvevbwkI‡qi Kb¨v †WmwWgbv‡K cvwj‡q we‡q
K‡i| B‡Zvc~‡e© †WmwWgbv I‡_‡jvi ˆmwbK Rxe‡bi †ivgvÂKi Kvwnbx ï‡b Zvi †cÖ‡g
c‡o| wKš‘ GB I‡_‡jvB †kl ch©šÍ Zvi wcÖqZgv‡K Bqv‡Mvi cÖ‡ivPbvq Cl©vwš^Z n‡q
nZ¨v K‡i| bvU‡Ki †k‡l wbnZ †WmwWgbv wb‡`©vl cÖgvwbZ nIqvq I‡_‡jv AvZ¥nZ¨v
K‡i|
|
6. The poem ‘Isle of Innisfree’ is written by
----
A.
Dylan Thomas
|
|
||
C.
W. H. Auden
|
D.
W. B. Yeats
|
e¨vL¨v:
(a)
Dylan Thomas (1914-1953) — cÖL¨vZ
I‡qjk (AvaywbK) Kwe I †jLK| A
Refusal To Mourn The Death, Fern Hill Zuvi Abe`¨
KweZv|
|
(b) Ezra Pound — AvaywbK
hy‡Mi Ab¨Zg Kwe I mvwnwZ¨K| Zuvi cÖc “Make it new”-
Gi Dci wfwË K‡i Bs‡iwR mvwn‡Z¨ AvaywbKZvev‡`i m~ÎcvZ N‡U|
|
(c)
W. H. Auden (1907-1973) — cÖL¨vZ
weªwUk-Av‡gwiKvb Kwe| wZwb hy³iv‡R¨ Rb¥MÖnY K‡ib, Av‡gwiKvi bvMwiKZ¡ jvf K‡ib
Ges Aw÷ªqvi wf‡qbvq g„Zy¨eiY K‡ib| wZwb nZvkvev`x I AvaywbK hy‡Mi Anti-Romantic
Kwe| ‘Stop
all the Clocks, Lullaby,
In
Memory of W. B. Yeats, September
1st, 1939 Zuvi Abe`¨ KweZv|
|
(d) W. B. Yeats — AvaywbK
hy‡Mi Ab¨Zg Kwe|
· The Second
Coming
· Easter 1916
· The Lake Isle
of Innisfree
· Sailing to
Byzantium
· Prayer for My
Daughter Zuvi D‡jøL‡hvM¨ KweZv|
|
7.
Riders
to the Sea is ---
A.
an epic poem
|
|
||
C.
a one-act play
|
D.
a theatrical adaptation of a poem
|
e¨vL¨v:
John
Millington Synge wrote the one-act play Riders
to the Sea.
|
(a) an epic poem — gnvKve¨|
|
(b) a novella — n«¯^ ˆ`‡N©¨i
Dcb¨vm‡K Aby-Dcb¨vm ev Bs‡iwR‡Z novella ejv n‡q
_v‡K| Aby-Dcb¨vm
†QvUM‡íi Zzjbvq eo wKš‘ Dcb¨v‡mi †P‡q †QvU|
|
(c) a one-act
play — GKvw¼Kv|
|
8.
Which of the following writer belongs to
the Elizabethan period?
A.
Christopher Marlowe
|
|
||
C.
John Dryden
|
D.
Samuel Beckett
|
e¨vL¨v:
(a) Christopher
Marlowe belongs
to the Elizabethan Period (1558-1603).
|
(b) Alexander Pope belongs to
the Augustan Period (1700-1750).
|
(c) John Dryden belongs to the Restoration
Period (1660-1700).
|
(d) Samuel Becket belongs to
the Modern Period (1901-1939/45).
|
9.
“To be, or not be, that is the
question”- is a famous dialogue from —
A.
Othello
|
|
||
C.
Hamlet
|
D.
Macbeth
|
e¨vL¨v:
(a) Quotations from Othello:
(i) O, beware, my lord, of jealousy;
It is the green-ey’d monster, …
(ii) But I
will wear my heart upon my sleeve
For daws to
peck at: I am not what I am.
|
(b) Quotations from Romeo and Juliet:
(i) Good Night, Good night! Parting is
such sweet sorrow, that I shall say good night till it be morrow
|
(c) Quotations from Hamlet: (i) To be, or
not be, that is the question (ii) Frailty, thy name is woman. (iii) I’ll
speak daggers to her, but use none.
|
(d) Quotations from Macbeth:
(i) Life ...
is a tale
Told by an
idiot, full of sound and fury,
Signifying
nothing.
(ii) Fair is foul, and foul is fair.
(iii)
There’s daggers in men’s smiles.
(iv)
All the perfumes of Arabia will not sweeten this little hand.
|
10.
Find the odd-man-out ---
A.
George Eliot
|
|
||
C.
Joseph Conrad
|
D.
James Joyce
|
e¨vL¨v:
Among the four
options, George Eliot is the only female writer. Secondly, only she belongs
to the Victorian Period.
|
(a) George Eliot (1819-1880) belongs to
the Victorian Period.
|
(b) Thomas Hardy (1840-1920) belongs
to the Modern Period.
|
(c) Joseph Conrad (1857-1924) belongs to
the Modern Period.
(d) James Joyce (1882-1941) belongs to
the Modern Period.
|
11. Find the odd-man-out ---
A.
The Bluest Eye
|
|
||
C.
As I Lay Dying
|
D.
A Mercy
|
e¨vL¨v:
(a)
The American Nobel Laureate William
Faulkner wrote As I Lay Dying while
the other three literary pieces in the options were written by Toni Morrison.
|
No comments:
Post a Comment