37th
BCS
1.
‘Gerontion’ is a poem by—
A. T. S. Eliot
|
|
||
C.
Matthew Arnold
|
D.
Robert Browning
|
e¨vL¨v:
(a) T. S. Eliot
Av‡gwiKvq R¤§MÖnY K‡ib| wKš‘ wZwb e„‡U‡bi bvMwiKZ¡ MÖnY K‡ib Ges †mLv‡b
mvwnZ¨ PP©v K‡ib| wZwb wesk kZvãxi Bs‡iwR mvwn‡Z¨i Ab¨Zg Kwe| Ezra
Pound Zuvi Ab¨Zg Aby‡cÖiYv`vZv I mvwnwZ¨K
mnPi (literary
collaborator) wQ‡jb| Eliot
1948 mv‡j †bv‡ej mvwnZ¨ cyi¯‹vi jvf
K‡ib|
· The
Love Song of J. Alfred Prufrock
· The
Waste Land (1922)***
· Four
Quartets
· Gerontion
Tradition and the Individual Talent** (Literary theory/essay) Zuvi D‡jøL‡hvM¨ mvwnZ¨Kg©|
Gerontion (1920) — GwU GKwU ÔDramatic monologue’ or ‘persona poem’| GwjqU cÖ_‡g KweZvwU‡K The Waste Land KweZvi f‚wgKv ¯^iƒc cÖKvk Kivi cwiKíbv K‡iwQ‡jb|
hv‡nvK, cieZ©x‡Z KweZvwU GKwU ¯^Zš¿ mvwnZ¨Kg© wn‡m‡e cÖKvwkZ nq| GB KweZvq
GKRb e‡qv‡Rô¨ (Gerontic
man) e¨w³i
`„wó‡Z cÖ_g wek¦hy‡×vËi BD‡iv‡ci wPÎ dz‡U D‡V‡Q| G KweZvq ag©, †hŠbZvmn
AvaywbK KweZvi Ab¨vb¨ welqvw` wb‡q Av‡jvKcvZ Kiv n‡q‡Q|
|
(b)
W. B. Yeats (1865-1939) — William
Butler Yeats Avqvij¨v‡Ûi
Ab¨Zg Kwe (Irish poet)|
wZwb
wesk kZvãxi Bs‡iwR mvwn‡Z¨i Ab¨Zg Kwe| Zv‡K AvBwik I weªwUk mvwn‡Z¨i Ab¨Zg
w`Kcvj wn‡m‡e we‡ePbv Kiv nq| wZwb AvaywbK avivi Kwe n‡jI Zuvi †jLvq
†ivgvw›UKZvi ‰ewkó¨ jÿ¨ Kiv hvq| †jLv‡jwLi evB‡i wZwb `yÕ †gqv‡` Irish
Senator wn‡m‡e `vwqZ¡ cvjb K‡ib|
wZwb iex›`ªbv_ VvKz‡ii MxZvÄwj KweZv¸‡”Qi f~wgKv wj‡L ‡`b| wZwb 1923 mv‡j
cÖ_g AvBwik bvMwiK wn‡m‡e mvwn‡Z¨ †bv‡ej cyi¯‹vi jvf K‡ib|
§ The Second
Coming
§ Easter 1916
§ The Lake Isle
of Innisfree (35th BCS)
§ Sailing to
Byzantium
§ Prayer for My
Daughter Zuvi D‡jøL‡hvM¨ KweZv|
|
(c)
Matthew Arnold —
wf±ixq hy‡Mi
Ab¨Zg Kwe, mvwnZ¨ mgv‡jvPK I mgvR ms¯‹viK Matthew Arnold
‘modern literary criticism’- Gi RbK
wn‡m‡e cwiwPZ| D‡jøL¨, English literary criticism- Gi RbK John Dryden| Matthew Arnold †ckvMZ Rxe‡b ¯‹zj cwi`k©K (Inspector of
schools) wQ‡jb| wZwb mvwn‡Z¨i ¸Yv¸Y
wePv‡ii Rb¨ ÔTouch stone method’- Gi cÖPjb K‡ib| wZwb KweZv‡K Òcriticism
of life” e‡j‡Qb| wek„sLj wf±ixq hy‡M
ag© †hLv‡b kvwšÍ Avbq‡b e¨_© ZLb wZwb KweZv‡K Ab¨Zg weKí (poetry
substitute for religion) wn‡m‡e
we‡ePbv K‡i‡Qb|
Poems:
· Dover
Beach
· The
Scholar-Gipsy
· Thyrsis
· The
Rugby Chapel
Essays:
· Culture
and Anarchy**
· Literature
and Dogma
· The
Study of Poetry***
|
(d) Robert Browning
(1812-1889) — wf±ixq hy‡Mi Ab¨Zg Kwe I bvU¨Kvi| wZwb Master
of dramatic monologue[1]
bv‡g L¨vZ| wZwb bvix-cyiæl m¤ú‡K©i (man-woman
relationship) Ab¨Zg we‡kølK
wQ‡jb| wZwb Zuvi KweZvq Italian renaissance elements e¨envi K‡i‡Qb|
· The
Ring and the Book***
· Men
and Women***
· The
Pied Piper of Hamelin
· Porphyria’s
Lover***
· My
Last Duchess***
· Andrea
del Sarto***
· The
Laboratory
· Fra
Lippo Lippi***
· Rabbi
Ben Ezra***
· Love
Among the Ruins
|
2. Fill in the blank. — is
Shakespeare’s last play.
A. As You Like It
|
|
||
C.
Tempest
|
D.
Othello
|
e¨vL¨v:
(a) aviYv Kiv nq, William Shakespeare Zuvi As
You Like It
bvUKwU (pastoral
comedy) 1599
mv‡j iPbv K‡ib|
|
(b) Macbeth bvUKwU 1606 mv‡j
iPbv K‡ib|
|
(c)
Tempest bvUKwU (swan song/last work) wZwb 1610/1611 mv‡ji g‡a¨ iPbv K‡ib e‡j avibv Kiv nq|
|
(d)
Othello ev
The Tragedy of Othello ev
The Moor of Venice bv‡g
cwiwPZ bvUKwU †jLv
n‡qwQj 1603
mv‡j|
|
we. `ª.:
†ewkifvM mvwnZ¨ mgv‡jvPK g‡b K‡ib, †k·wcqv‡ii cÖ_g bvUK Henry VI, Part
I
hv 1590 A_ev
1591
mv‡j ‡jLv n‡qwQj|
|
3. Who has written the poem
‘Elegy Written in a Country Churchyard’?
A. Thomas Gray
|
|
||
C.
Robert Frost
|
D.
W. B. Yeats
|
e¨vL¨v:
(a) Thomas Gray
(1716-1771) — cÖL¨vZ Bs‡iR Kwe I aªƒcw` cwÛZ
(classical scholar)|
wZwb Zvui weL¨vZ Elegy (‡kvK KweZv) ‘Elegy Written in a
Country Churchyard’- Gi Rb¨
mycwiwPZ| KweZvwU
classical pastoral tradition Abymi‡Y
†jLv n‡qwQj|
|
(b) P. B. Shelley — Bs‡iwR mvwn‡Z¨i
Ab¨Zg MxwZ Kwe (Lyric poet) wn‡m‡e cwiwPZ P. B. Shelley †ivgvw›UK mvwnZ¨ avivi †kl w`‡Ki Kwe| Zuv‡K wecøex Kwe (Revolutionary
poet) wn‡m‡e AvL¨vwqZ Kiv nq| wZwb e¨w³MZ
Rxe‡b bvw¯ÍK (atheist) wQ‡jb| Zuv‡K Oxford
University †_‡K ewn®‹vi Kiv n‡qwQj|
wZwb ZiæY eq‡m (30 eQi eq‡m) mvM‡i Wz‡e (drowned in the sea) gviv hvb| wZwb Mary Shelley †K we‡q K‡iwQ‡jb whwb GKRb Jcb¨vwmK wQ‡jb| Mary
Shelley KZ©„K wjwLZ weL¨vZ Dcb¨vm Frankenstein|
Poems:
·
To a
Skylark ***
·
Ode to the West Wind***
·
Song of Proserpine
·
On a Dead Violet
·
To Coleridge
·
Hymn to Intellectual Beauty**
·
The Revolt of Islam, (A poem in twelve cantos)
Essays:
·
A Defence of Poetry
·
The Necessity of Atheism
|
(c) Robert Frost:
wesk kZvãxi Ab¨Zg gvwK©b Kwe Robert
Frost (1847-1963) ‡K Zuvi KweZvq
ev¯ÍweK MÖvgxY RxebwPÎ A¼‡bi Rb¨ mkÖ× ¯§iY Kiv nq| D‡jøL¨, Zuvi †ewkifvM
†jLbx Av‡gwiKvq cÖKvwkZ nIqvi c~‡e© Bsj¨v‡Û cÖKvwkZ nZ|
His poems include:
·
Home Burial
·
Neither out too far nor in too Deep
·
An Old Man’s Winter Night**
·
Stopping by Woods on a Snowy Evening***
·
The Lovely Shall be Choosers
|
(d) W. B. Yeats (1865-1939) AvaywbK
hy‡Mi Ab¨Zg Kwe|
|
4.
Who has written the play ‘Volpone’?
A. John Webster
|
|
||
C.
Christopher Marlowe
|
D.
William
Shakespeare
|
e¨vL¨v:
(a) John Webster (1580-1634) M~p/inm¨gq
bvU¨Kvi (Dark playwright) bv‡g cwiwPZ| Zuvi bvUKmg~‡ni
g‡a¨ i‡q‡Q:
·
Magnum
Opus
·
The
Duchess of Malfi***
·
The
White Devil ***
·
Thomas
Middleton
|
(b) Ben Jonson: †i‡bmuv
hy‡Mi Ab¨Zg bvU¨Kvi, Kwe I Awf‡bZv Ben
Jonson (1572-1637) wQ‡jb
Shakespeare - Gi
mgmvgwqK| wZwb Zuvi e¨½ag©x (satirical) bvUK, we‡klZ Volpone-
Gi Rb¨ cÖwm×| Zuvi weL¨vZ
mvwnZ¨K‡g©i g‡a¨ i‡q‡Q:
·
A Tale of a Tub (play)
· Volpone
· The
Alchemist
· Song
to Celia (poem)
|
(c)
Christopher Marlowe — Bs‡iwR
KweZvq AwgÎvÿi Q‡›`i (blank verse) cÖe³v, Bs‡iwR we‡qvMvšÍK bvU‡Ki (Tragedy) RbK I Bs‡iwR †i‡bmuvi Ab¨Zg †jLK Christopher Marlowe|
Alfred
Tennyson Zuv‡K ÔThe
Morning Star’ Dcvwa †`b| Zuvi
cÖ_g bvUK Tamburlain| Zuv‡K g~jZ Zuvi Abe`¨ m„wó Doctor
Faustus or the Tragical History of Doctor Faustus
bvgK bvU‡Ki Rb¨ †ewk ¯§iY Kiv nq| William
Shakespeare gv‡j©vi The Jew of Malta
Aej¤^‡b The
Merchant of Venice bvgK
bvUKwU iPbv K‡ib|
|
(d) William Shakespeare: See page no. 118
|
5.
Shakespeare composed much of his plays in what sort of verse?
A. Alliterative verse
|
|
||
C.
Iambic pentameter
|
D.
Dactylic Hexameter
|
e¨vL¨v:
cÖm½K_v: †k·wcqvi Zuvi
†ewki fvM bvUK I m‡b‡U unrhymed iambic pentameter,
hv blank verse (AwgÎvÿi Q›`) bv‡g cwiwPZ Q›` iƒc e¨envi K‡i‡Qb| Zuvi Sonnet
145 iambic tetrameter- G †jLv|
|
(a) Alliterative verse — ïiæ‡Z
e¨ÄbaŸwbi cybive„wËg~jK e¨env‡i iwPZ we‡kl Q›`|
|
(b) Sonnet form — 14 jvB‡bi
KweZv| Bs‡iwR m‡b‡Ui cÖwZ Q‡Î mvaviYZ 10wU Aÿi e¨envi Kiv nq|
|
(c) Iambic
pentameter: Iamb — Q‡›`
`yB Aÿ‡ii c` (a
foot of two syllables- a short unsressed syllable followed by a long stressed
syllable) we‡kl|
Meter —
c` (foot) bv‡gI cwiwPZ hv KweZvi Qvw›`K GKK (a
unit of rhythm in poetry or the pattern of the beats)
Pentameter — cuvP c` (five feet) ev
`k Aÿi (ten
syllables) wewkó QÎ (line)|
|
Hexameter — QqwU
c‡`i mgš^‡q iwPZ QÎ (line)|
Dactylic Hexameter —
also known as ‘Heroic Hexameter’ is a form of meter or rhythmic scheme
in poetry. Greek and Roman epics like Odyssey, Iliad, etc. were composed in
Dactylic Hexameter.
|
6.
Which of the following is not a poetic tradition?
A. The Epic
|
|
||
C.
The Occult
|
D.
The Tragic
|
e¨vL¨v:
(a) gnvKve¨ nj bvwZ`xN© iPbvg~jK KweZv hv M~p †Kvb welq †hgb:
AZ¨šÍ mvnwmKZvc~Y© Kg© I NUbvmg~n (hv †Kvb we‡kl RvwZ ev ms¯‹…wZ‡Z
¸iæZ¡c~Y©)- ‡K †K›`ª K‡i aªæc`x Xs-G (elevated style) iwPZ nq| MÖxK Kwe †nvgvi G ai‡bi KweZvi AMÖbvqK|
|
(b) The Comic —
nvm¨imvZ¥K iPbv|
|
(c) The Occult — hv`ywe`¨vi
PP©v|
|
(d) The Tragic —
KiæYimvZ¥K iPbv|
|
7.
The repetition of beginning consonant sound is known as-
A. personification
|
|
||
C.
alliteration
|
D.
rhyme
|
e¨vL¨v:
(a) Personification (e¨w³iƒ‡c cÖKvk) —
a figure of speech in which a thing,
an idea or an animal is given human qualities. For example: “the sun smiled at us.”
|
(b)
*Onomatopoeia (ab¨vZ¥K kã) — aŸwb wb‡`©kK
kã|
Words which suggest sound, e.g. bang, hiss, splash, etc.
|
(c)
Alliteration (AbycÖvm) —
ïiæ‡Z e¨ÄbaŸwbi cybive„wËg~jK e¨env‡i
iwPZ we‡kl Q›`| For example: safe and sound.
|
(d) Rhyme
(AšÍwgj/Qov) — a repetition of
similar sounding words, occurring at the end of lines in poems or songs.
|
8.
What is a funny poem of five lines called?
A. Quartet
|
|
||
C.
Sixtet
|
D.
Haiku
|
e¨vL¨v:
(a) Quartet — Pvi jvB‡bi
KweZv ev KweZvsk (stanza)|
Note: a couplet is a stanza of two successive
rhyming lines.
|
(b) Limerick —
cuvP jvB‡bi gRv`vi KweZv|
|
(c) Sixtet — Qq
jvB‡bi KweZv|
|
(d) Haiku — wZb jvB‡bi m‡Zi Aÿi wewkó cÖvqk cÖK„wZ
m¤úwK©Z HwZn¨evnx Rvcvwb KweZv|
D‡jøL¨, KweZvi fvM‡K ejv nq stanza| M`¨ ev cÖe‡Üi fvM‡K ejv nq Aby‡”Q` (paragraph)| Dcb¨v‡mi fvM‡K ejv nq ce© (episode)| bvU‡Ki fvM‡K ejv nq A¼ (act); cÖwZwU A¼‡K Avevi KZK¸‡jv `„‡k¨ (scene) fvM Kiv nq| KweZvi †h PwiÎ cvV‡Ki wbKU eY©bv K‡i Zv‡K e‡j
speaker| M‡`¨i †h PwiÎ cvV‡Ki wbKU eY©bv K‡i Zv‡K e‡j K_K (narrator)|
|
9. Who wrote ‘Biographia
Literaria’?
A. John Milton
|
|
||
C.
S. T. Coleridge
|
D.
Charles Lamb
|
e¨vL¨v:
(a) John Milton — cÖL¨vZ Kwe, ZvwK©K (polemicist ) I Bs‡iR kvmK Iwjfvi
µgI‡q‡ji Kg©KZ©v| Paradise Lost I Paradise Regained Zuvi `ywU weL¨vZ gnvKve¨|
|
(b) P. B.
Shelley — Dc‡i `ªóe¨|
|
(c)
S. T. Coleridge — William Wordsworth- Gi Ab¨Zg mn‡hvMx wewkó Bs‡iR Kwe, mvwnZ¨ mgv‡jvPK I `vk©wbK
S.
T. Coleridge Bs‡iRx
†ivgvw›UK mvwnZ¨avivq ¸iæZ¡c~Y© Ae`vb iv‡Lb| wZwb Avwdg Avm³ (addicted
to opium) wQ‡jb| wZwb Wordsworth-
Gi mv‡_ Lyrical
Ballads cÖKvk K‡ib| The
Rime of the Ancient Mariner Zuvi
weL¨vZ eY©bvg~jK (narrative) KweZv| wZwb Zuvi Biographia Literaria bvgK mvwnZ¨ mgv‡jvPbvg~jK (literary
critique) MÖ‡š’i Rb¨I ¯§iYxq n‡q
Av‡Qb|
Poems:
·
The Rime of the Ancient Mariner***
·
Kubla Khan***
·
Dejection: An Ode**
·
Christabel
·
A Christmas Carol
Literary
theory/essay: Biographia
Literaria
|
(d) Charles Lamb
(1775-1834) — cÖL¨vZ Bs‡iR
†jLK I cÖvewÜK Charles Lamb Zuvi weL¨vZ cÖeÜMÖš’
Essays of Elia
I Abe`¨ wkï‡Zvlg~jK MÖš’ Tales from Shakespeare-
Gi Rb¨ mycwiwPZ| Elia
Zuvi QÙbvg| ÔWitches
and Other Night-Fears’ Zuvi GKwU
weL¨vZ cÖeÜ|
|
10. Robert
Browning was a --------poet. Fill in the gap with appropriate word.
A.
Romantic
|
|
||
C.
Modern
|
D.
Elizabethan
|
e¨vL¨v:
Robert Browning
(1812-1889) — wf±ixq hy‡Mi
Ab¨Zg Kwe I bvU¨Kvi| wZwb Master of dramatic monologue[2]
bv‡g L¨vZ| wZwb bvix-cyiæl m¤ú‡K©i (man-woman
relationship) Ab¨Zg we‡kølK
wQ‡jb| wZwb Zuvi KweZvq Italian Renaissance elements e¨envi K‡i‡Qb|
Other writers
of this age include: E. B. Browning, Alfred, Lord Tennyson, Matthew
Arnold, W. M. Thackeray, Swinburne, Rossetti(s) and to name a few.
|
11. Othello gave
Desdemona-----------as a token of love.
A.
Ring
|
|
||
C.
Pendant
|
D.
Bangles
|
e¨vL¨v:
I‡_‡jv Kw_Z iægvjwU †c‡qwQj Zuvi
gvZvi wbKU †_‡K| B‡Zvc~‡e© I‡_‡jvi evev I‡_‡jvi gv‡K evmi iv‡Z iægvjwU fvjevmv,
I wek¦¯ÍZvi cÖZxK wn‡m‡e w`‡qwQj| cieZ©x‡Z I‡_‡jv iægvjwU Zuvi wcÖqZgv
†WmwWgbv‡K Abyiƒc fvjevmv I wek¦¯ÍZvi cÖZxK wn‡m‡e Dcnvi †`q| I‡_‡jvi Revwb‡Z
Rvbv hvq †h, Kw_Z iægvjwU ˆZix K‡iwQj 200 eQi eq¯‹ GK gwnjv `i‡ek (Sibyl)| cweÎ †RvbvwK †cvKvi †ikg Avi gwg Kiv Kzgvwii ürwc‡Ði i³
w`‡q Gi KviæKvh© Kiv n‡qwQj| myZivs G iægvj nj AvbyMZ¨, wek¦vm I mZx‡Z¡i
cÖZxK| wKš‘ ¯¿x Gwgwjqvi gva¨‡g G iægvjLvbv wf‡jb Bqv‡Mvi n¯ÍMZ nq| AZ:ci
Bqv‡Mv GwU K¨vwmIi A‡MvP‡i Zuvi K‡ÿ ‡i‡L †`q| cieZ©x‡Z LjbvqK Bqv‡Mv
iægvjwU‡K I‡_‡jvi cÖwZ †WmwWgbvi wek¦vm f‡½i Pvÿzl cÖgvY (ocular
proof) wn‡m‡e e¨envi K‡i hvi
cwibwZ‡ZB I‡_‡jv Zuvi wcÖqZgv‡K nZ¨v K‡i I wb‡R AvZ¥nZ¨v K‡i|
|
cÖm½Z D‡jøL¨: William
Shakespeare- Gi ‘The Merchant of Venice’ bvU‡K †cvwk©qvi
cvwYcÖv_x©‡`i‡K ¯^Y©, †iŠc¨ I mxmv w`‡q ‰Zix wm›`yK †_‡K mwVK wm›`yK A_©vr †h wm›`y‡K †cvwk©qvi Qwe i‡q‡Q Zv
†e‡Q wb‡Z nq| G‡›UvwbI mwVK wm›`yKwU A_©vr mxmvi ˆZix wm›`yKwU evQvB Ki‡Z mÿg nq|
|
12.
P. B. Shelley’s ‘Adonais’ is an elegy on the death of —
A.
John Milton
|
|
||
C.
Keats
|
D.
Lord Byron
|
e¨vL¨v: Elegies
on Famous Poets/Writers
Elegy
|
Writer
|
On the death of
|
In
Memoriam
|
Tennyson
|
Arther
Henry Hallam
|
In Memory of W. B. Yeats
|
W. H.
Auden
|
W. B.
Yeats
|
Heroic
Stanzas on the Death of Cromwell
|
John
Dryden
|
Oliver
Cromwell
|
Lycidas
(pastoral elegy)
|
John
Milton
|
Edward
King
|
Thyrsis
|
Matthew
Arnold
|
Arthur
Hugh Clough
|
Rugby
Chapel
|
Matthew
Arnold
|
Dr. Thomas Arnold (father)
|
Adonais
|
P. B.
Shelley
|
John
Keats
|
(a) John Milton — cÖL¨vZ
Kwe, ZvwK©K (polemicist ) I Bs‡iR kvmK Iwjfvi
µgI‡q‡ji Kg©KZ©v| Paradise Lost I Paradise Regained Zuvi `ywU weL¨vZ gnvKve¨|
|
(b)
S. T. Coleridge — William Wordsworth- Gi Ab¨Zg mn‡hvMx wewkó Bs‡iR Kwe, mvwnZ¨ mgv‡jvPK I
`vk©wbK S. T. Coleridge Bs‡iRx
†ivgvw›UK mvwnZ¨avivq ¸iæZ¡c~Y© Ae`vb iv‡Lb| wZwb Avwdg Avm³ (addicted
to opium) wQ‡jb| wZwb Wordsworth-
Gi mv‡_ Lyrical
Ballads cÖKvk K‡ib| The
Rime of the Ancient Mariner Zuvi
weL¨vZ eY©bvg~jK (narrative) KweZv| wZwb Zuvi Biographia Literaria bvgK mvwnZ¨ mgv‡jvPbvg~jK (literary
critique) MÖ‡š’i Rb¨I ¯§iYxq n‡q
Av‡Qb|
Poems:
·
The Rime of the Ancient Mariner***
·
Kubla Khan***
·
Dejection: An Ode**
·
Christabel
·
A Christmas Carol
|
(c) John Keats — ‘Poet of beauty’ I
ÔPoet of
sensuousness’ bv‡g L¨vZ John Keats
Romantic period- Gi Ab¨Zg Kwe|
§ Ode to a
Nightingale
§ Ode to Autumn
§ Ode to Psyche
§ Ode on a
Grecian Urn
§ Ode on
Melancholy
§ La Belle Dame
Sans Merci Zuvi D‡jøL‡hvM¨ KweZv|
|
(d)
Lord Byron — Lord Byron Bs‡iRx mvwn‡Z¨i †ivgvw›UK avivi Ab¨Zg L¨vZbvgv Kwe| wZwb
we‡`ªvnx Kwe (Rebel[3]
Poet) Ges Byronic Hero bv‡g L¨vZ| Don Juan Zuvi weL¨vZ KweZv| The
phrase ‘United Nations’ is borrowed
from Byron’s ‘Childe Harold’s Pilgrimage.’ His works include:
§
Don
Juan***
§
She Walks in Beauty[4]
§
Prometheus
§
The Eve of Waterloo
|
13.
The comparison of unlike things using the words like, on, as is known to be—
A.
metaphor
|
|
||
C.
alliteration
|
D.
personification
|
e¨vL¨v:
(a)
Metaphor (iƒcK)
— an implied/indirect comparison of one
thing to another in order to make description more vivid (¯úó). E.g. “all the world’s a stage” (Shakespeare).
|
(b) *Simile (Dcgv) — a direct comparison of one thing to
another in order to make description more vivid (¯úó).
Similes use the words like or as or than to make the comparison. Examples: I wandered lonely as a cloud.
|
(c) Personification (e¨w³iƒ‡c cÖKvk) — a
figure of speech in which a thing – an idea or an animal – is given human
qualities. For example: “the Sun smiled at us.”
|
(d) Alliteration (AbycÖvm) — ïiæ‡Z e¨ÄbaŸwbi
cybive„wËg~jK e¨env‡i iwPZ we‡kl Q›`| For example, safe and sound.
|
14.
‘Restoration period’ in English literature refers to –
A.
1560
|
|
||
C.
1760
|
D.1866
|
e¨vL¨v:
Restoration Period-
Gi e¨vwß 1660 mvj †_‡K 1700 mvj
ch©šÍ| G hy‡Mi Ggb bvgKiY Kiv nq KviY Charles I- Gi wkit‡ñ` Kivi ci ivRZš¿ cyb:cÖwZôv Kiv nq| Charles
II †K 1660 mv‡j wmsnvm‡b cyb:AwawôZ (restore)
Kiv nq| G hyM‡K
Age of Dryden bv‡gI AvL¨vwqZ
Kiv nq| KviY John Dryden G hy‡Mi me‡P‡q cÖfvekvjx I cÖwZwbwaZ¡Kvix †jLK| G hy‡Mi
mvwn‡Z¨i cÖavb ˆewkó¨ nj my¯úó, h_v_© I mswÿß evK¨ MVb (clear,
concise and precise sentences)|
G hy‡M KíbvcÖm~Z †jLbxi Dci AeÁvm~PK `„wó †`Iqv nq| g~jZ G hy‡Mi †jLvi aib
wQj ev¯Íem¤§Z, AvbyôvwbK I iæwPkxj (formal and elegant)| John Milton I John Dryden- G hy‡Mi cÖL¨vZ †jLK|
|
15.
‘The Sun Also Rises’ is a novel
written by —
A.
Charles Dickens
|
|
||
C.
Earnest Hemingway
|
D.
Thomas Hardy
|
e¨vL¨v:
(a)
Victorian hy‡Mi Jcb¨vwmK Charles Dickens (1812-1870)
David Copperfield, Oliver Twist, A Tale of Two Cities, Great
Expectations, Bleak House , Hard Times
bvgK Dcb¨v‡mi iPwqZv|
|
(b) Hermann Melville
(1819-1891) — gvwK©b
Jcb¨vwmK, ‡QvU Mí †jLK I Av‡gwiKvb †i‡bmuvi Kwe Hermann
Melville Gi weL¨vZ mvwnZ¨Kg© nj Zvui wZwg m¤úwK©Z Dcb¨vm
Moby-Dick
|
(c) Earnest Hemingway — cÖL¨vZ gvwK©b Jcb¨vwmK I mvsevw`K Earnest
Hemingway 1954 mv‡j mvwn‡Z¨ †bv‡ej
cyi¯‹vi jvf K‡ib|
His novels
include:
· The Sun Also Rises (first novel)***
· Indian Camp (short story)
· A Farewell to Arms***
· For Whom the Bell Tolls***
· The Old Man and the Sea***
· Cats in the Rain
|
(d) Thomas
Hardy (1840
–1928) was an English novelist and poet. His novels include:
§ Far from the Madding Crowd
§ The Mayor of Casterbridge
§ Tess of the d’Urbervilles
§ Jude the Obscure
|
[1] A dramatic monologue usually
refers to a verse in which a speaker reveals (cÖKvk Kiv) his or her character in relation
to a critical situation or event, in a monologue addressed to the reader or to
a presumed (AbywgZ) listener.
[2] A dramatic monologue n‡jv †Kvb
KweZv †hLv‡b †Kvb e³v (we‡klZ †Kvb msKUgq gyû‡Z©) bxie †Kvb †kÖvZvi wbKU Zvi
Abyf~wZ/PvwiwÎK ˆewkó¨ cÖKvk K‡i|
[4] Emily Dickinson wrote the poem
‘I died for Beauty.’
No comments:
Post a Comment